Stills from Dakota Exile


Taoyateduta (Little Crow) at Kaposia, 1851.
Taoyateduta led the Dakota bands that went to war in 1862 after years of seeing their people suffer poverty and starvation, the direct result of the government's failure to live up to its treaty obligations, and of dishonest traders who exploited the situation and cheated the Dakotas out of treaty payments.
image Dakota chiefs in Washington, 1858:
By the time this photograph was taken, a series of treaties, accomplished through promises, bribes and threats, had systemically reduced Dakota land holdings in their own homeland to a thin strip of land alongside the Minnesota River.
House of Chaska:
Federal acculturation policies in practice. The government had a long held belief that the way to "Americanize" the Dakota people was to make them become farmers. individual property owners; the intent was to undermine the life of the tribe. Despite frequent failure of the government to provide aid promised for the transition, many Dakotas made successes of their farms.
Yellow Medicine mission:
White refugees of 1862 conflict. 500 whites lost their lives in the conflict; the Dakota dead were never counted.
 

Circular Cloud:
A Dakota man imprisoned at Fort Snelling, 1862. For their part in the conflict, 38 Dakota men were hanged in the largest mass execution in American history. The hanging, carried out on a special gallows especially made for the execution, took place the day after Christmas, 1862, in Mankato, Minnesota.

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"Little Crow's Savages":
Dakota refugees in Canada (British possessions), ca. 1862. Many Dakotas fled to Canada during and after the conflict, remembering British promises to protect them after Dakotas aided them in their fight against the French years before. All other Dakotas found themselves exiled from Minnesota, their homeland for hundreds of years. The price of remaining was their lives: The state government offered a bounty for Dakota scalps.

"Confirmation of Sioux":
Bishop Whipple at Fort Snelling prison camp, 1862



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All other images on these pages are courtesy of the William Maxwell Photographic Collection.
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